Holiday
kitsch got a jump-start
from "Fred Claus," and
holiday mayhem fires off
an early round with
"P2." But there remains,
abundantly, the
delightfully premature
ripping into packages
for the coming season.
Like certain parental
friends of Santa,
we may promise
more than we
deliver. But
here, ribboned,
is the coming
film bounty as
presently known
(what is the
season without
surprises?).
As usual, the
year's closing
phase is ruled by
three types of
film: movies
scared away from
the summer
stampede; holiday
fun pix "for the
whole family"
(does a return of
Alvin and the
Chipmunks do it
for you?); and
the crucial
cannonade of
Oscar wannabes.
Despite the
Chipmunks, family
comedies, a Loch
Ness fantasy and
even Dustin
Hoffman as Mr.
Magoo (oops, Mr.
Magorium), it
looks like a
remarkably adult
spread.
Refreshingly
different from,
oh, January to
October.
Directors of
repute on tap
include Francis
Ford Coppola,
Mike Nichols, the
Coen Bros., Mike
Newell, Paul
Thomas Anderson,
Rob Reiner, Tim
Burton, Woody
Allen, Brian De
Palma, Frank
Darabont, Guy
Ritchie, Julian
Schnabel and Noah
Baumbach. The
frisky Coens
dipping into
Cormac McCarthy's
world ignites
interest. The
notion of Johnny
Depp as Sweeney
Todd is grimly
fetching. As is
Nicole Kidman in
an adult wedding
comedy. And Bob
Dylan lobs his
bardic whine
again.
It
won't be a cheery
grog party, not
with the Alien
(plus Predator)
loose again, and
a paralyzed
French editor,
and hell in
China, Iraq,
Afghanistan and
Africa. There
could be breathy
critical
quibbling about
Gabriel Garcia
Marquez being
siphoned for
erotic screen
fantasy.
Here's how we
stack it. You rip
it.
NOVEMBER
NIGHTS (AND
MATINEES)
Since you have
probably
forgotten most of
your school cram,
relax. "Beowulf"
(See
the trailer)
is not textually
bound to the
classic, but is
the Robert Zemeckis action
take using the
"motion-capture"
technology of the
hit "300," with
Ray Winstone as
the hero,
Angelina Jolie
sometimes nude
(but PG-13),
Anthony Hopkins
as the king, and
Old English cuss
words like "fick."
Sudanese men face a
future clouded by
bleakness in the
documentary of
modern African
strife, "Darfur
Now."
(See
the trailer) The latest
bad-news
documentary
surely merits
attention. Ted
Braun's "Darfur
Now" looks at six
people in the
Sudanese civil
war hell and in
its far-flung
diaspora,
including
actor-activist
Don Cheadle.
With "Love in the
Time of Cholera,"
(See
the trailer)
director Mike
Newell, having
slapped a Harry
Potter book into
film shape,
dresses an even
more prestigious
book. Javier Bardem anchors
the Gabriel
Garcia Marquez
story that Ronald
Harwood scripted,
as a lovesick man
trying to balm
his youthful love
failure by way of
622 affairs. It
was shot
big-scale in
Colombia.
Your
chance to cherish
Dustin Hoffman
using funny hair
and odd speech
arrives with "Mr.
Magorium's Wonder
Emporium,"
(See
the trailer)
which
sat on the shelf
for months
awaiting a
pre-Xmas slot.
Hoffman is the
ancient but
deathless
toy-store head,
grooming Natalie
Portman as
successor, their
romp of whimsy
"helmed" by Zach
Helm.
Tommy
Lee Jones has
another payoff
performance as a
sheriff in the
new Coen Bros.
crime story, "No
Country For Old
Men," a modern
Western thriller
extracted by the
bros from the
dark Cormac
McCarthy novel.
Its chamber is
loaded with quite
a cast: Jones,
Javier Bardem,
Josh Brolin,
Woody Harrelson,
Kelly MacDonald,
Tess Harper.
The season period
doesn't get any
less holiday than
in famed provoker
Brian De Palma's
"Redacted." It's
a hi-def digital
lacing of
episodes about
our troops in
brutal form south
of Baghdad, with
rape and killing
drawn from true
events. Starring
Ty Jones, Patrick
Carroll, Kel
O'Neill.
A
concert cellist
and a rock hunk
breed a prodigy
named "August
Rush," a Brit
tale high on
music from
director Kirsten
Sheridan,
daughter of Jim
Sheridan. Actual
music was gotten
from Keri
Russell, Jonathan
Rhys-Meyers,
Freddie Highmore.
Disney made a
musical, and
perhaps it really
is "Enchanted."
The Snow
White-based story
transfers mostly
to mod Manhattan,
with Amy Adams
the damsel,
Patrick Dempsey
the stud, Susan
Sarandon the evil
queen and James
Marsden the
prince as realms
collide. Plus,
the great Tim
Spall.
For "Hitman,"
Timothy Olyphant
rips around
Eastern Europe as
Agent 47, in this
Slavicized
thriller from
Xavier Gens.
Six actors get to
play Bob Dylan at
different stages
of "I'm Not
There," which is
fewer personas
than The Man
himself. Will the
music bard really
be present in
Todd Haynes'
tribute and
reverie that
includes Cate
Blanchett,
Richard Gere,
Heath Ledger,
Christian Bale,
Julianne Moore?
Do you need a
description of
"Stephen King's
The Mist?" OK, it
is King's update
on another King
story about
another town in
awful peril.
Director Frank "Shawshank
Redemption"
Darabont lavishes
spooky harm on
Thomas Jane,
Andre Braugher,
Toby Jones,
Marcia Gay
Harden.
While
"This Christmas"
may seem a month
early, it could
hit home as a
Yuletime family
drama about
siblings working
things out 'round
the tree. Regina
King, Delroy
Lindo, Mekhi
Phifer, Loretta
Divine drink the
nog.
"Romance
and Cigarettes"
(Nov. 30) is a
labor of twisted
love and curling
smoke, from
actor, sometimes
director and
writer John
Turturro. It's
his romantic
fantasy about
infidelity and
family strife,
with lots of
classic and some
new songs. Also
starring Susan
Sarandon, James
Gandolfini, Kate
Winslet,
Christopher
Walken, Steve
Buscemi and Eddie
Izzard.
Joby
Harold's "Awake"
(Nov. 30) is a
thriller about a
man whose
special, spectral
awareness during
heart surgery
involves his wife
in a more than
mental plot. The
cast is topped by
Hayden
Christensen,
Jessica Alba,
Lena Olin,
Terrence Howard.
Back to the creepily
mesmerizing land
of Rick (Harrison
Ford), Roy (Rutger
Hauer) and
Rachael (Sean
Young) in "Blade
Runner: The Final
Cut" (Nov. 30),
Ridley Scott's
big-cult vision
of a future gone
rather fabulously
wrong. This is
the 25th
anniversary
visitation.
DECEMBER
DELIGHTS (OR NOT)
Joe Wright again
directs Keira
Knightley of his
"Pride and
Prejudice" in
"Atonement" (Dec.
7), an upscale
Brit family drama
spanning decades,
from the novel by
Ian McEwan. James
McAvoy, Vanessa
Redgrave and
Romola Garai
enter into what
would once have
been Merchant &
Ivory territory.
The fantastic world
of Philip
Pullman's "His
Dark Materials"
trilogy finds
screen traction
in a likely
franchise
starter, "The
Golden Compass"
(Dec. 7). Human
souls become
animals, even
odder things
happen in Chris
Weitz's lavish
treatment
starring Sam
Elliott, Tom
Courtenay, Nicole
Kidman, Dakota
Blue Richards.
"Grace Is Gone"
(Dec. 7) is back,
after an earlier
release was
canceled. John
Cusack plays a
man denied
military service,
facing sudden
tragedy on the
homefront. With
Alessandro Nivola,
Gracie Bednarczyk.
From Germany's Doris
Dorrie, maker of
the wry
"Enlightenment
Guaranteed,"
comes "How to
Cook Your Life"
(Dec. 7). Now,
she looks at a
cheery Zen priest
who cooks in San
Francisco.
In
George Clooney's
film
"Leatherheads"
(Dec. 7),
romantic comedy
tackles football
fever in the
rah-rah 1920s,
with John
Krasinski as the
gridiron star.
More attention
may go to Clooney
and Renee
Zellweger.
"Revolver" (Dec.
7) is unrelated
to the Beatles
album. It's an
action spree of
revenge, mobs and
drugs, with
director Guy
("Snatch")
Ritchie pumping
the firepower
with actors Jason
Statham, Ray
Liotta, Vincent
Pastore.
"The
Walker" (Dec. 7)
has Woody
Harrelson as an
insider and
ladies man in
D.C., then a mess
of "capitol"
crimes makes his
urbanity
difficult. It
comes from an old
pro with dark,
manly themes,
Paul Schrader,
and has a rather
Altmanesque
bunch: Lily
Tomlin, Lauren
Bacall, Kristin
Scott Thomas, Ned
Beatty, Willem
Dafoe.
Noah
Baumbach had a
critical hit with
"The Squid and
the Whale." He
follows it with
"Margot at the
Wedding" (Dec.
7). Nicole Kidman
is the writer who
finds great
material in the
conniptions of
her sister's
nuptials, while
Jack Black,
Jennifer Jason
Leigh and John
Turturro also
toss rice.
The
team behind "Twin
Towers" offers
more pain in "Nanking"
(Dec. 12), a
probe via drama
of the hideous
Japanese rape and
murder assault on
Nanking, China.
Occidental
contingent
includes Jurgen
Prochnow, Woody
Harrelson and
(zounds!) Mariel
Hemingway.
If
you don't know
these are Simon,
Alvin and
Theodore, you are
probably not
ready and willing
for Dec. 14's
"Alvin and the
Chipmunks."
Practice your
squeaky, 78 rpm
voice for "Alvin
and the
Chipmunks" (Dec.
14), as Alvin,
Simon and
Theodore get a
cartoony feature
film after lots
of TV and
recording gigs.
Richard Matheson's
sci-fi story "I
Am Legend" (Dec.
14) arrives
big-time after
so-so earlier
versions ("The
Last Man on
Earth" and "The
Omega Man"). Will
Smith thinks he
is the last
survivor of a
world plague,
finds otherwise,
is joined by many
effects, a dog
and Alice Braga
in Francis
Lawrence's movie.
Ellen Page plays
"Juno" (Dec. 14),
all about teen
pregnancy, life
lessons and
intimate acting
options for her,
Allison Janney,
Jennifer Garner,
Jason Bateman,
Michael Cera.
Whatever "This
Christmas" didn't
do for merry
black Christmas,
"The Perfect
Holiday" (Dec.
14) may provide.
Santa comes to
the family relief
of a big cast led
by Morris
Chestnut, Queen
Latifah,
Gabrielle Union,
Terrence Howard,
Faizon Love.
"Starting Out in
the Evening"
(Dec. 14) is
Andrew Wagner's
film from the
Brian Morton
novel, about a
declining writer
(Frank Langella)
and brainy grad
student (Lauren
Ambrose) hatching
a scheme, with
work also for
Lili Taylor.
Marc Forster and
writer David
Benioff adapted
Khaled Hosseini's
ongoing hit book
"The Kite Runner"
(Dec. 21). All
about an Afghani
man who made it
to American
success, but must
return for deeply
personal reasons
during the harsh
Taliban years.
Even Helen Mirren
went gamely
commercial for
"National
Treasure: Book of
Secrets" (Dec.
21), John
Turteltaub's wild
history fantasy
that pivots on
John Wilkes
Booth's diary.
Secrets burgeon
open for her,
Nicolas Cage, Jon
Voight, Ed
Harris, Harvey
Keitel.
"P.S.
I Love You" (Dec.
21) is reportedly
a comical
tearjerker, with
Hilary Swank the
young widow
pulled ahead by
her late
husband's
letters, in
Richard
LaGravenese's
heart hustle.
The most grisly
of hit musicals,
"Sweeney Todd"
(Dec. 21) hits
screens with a
wallop given the
style gymnastics
of Tim Burton.
His favorite
actor, Johnny
Depp, is the grim
and grinning
butcher in a big,
British show
featuring Helena
Bonham Carter,
Alan Rickman and
non-Borat Sacha
Baron Cohen.
Rock gets another
satire twist in
Jake Kasdan's
"Walk Hard: The
Dewey Cox Story"
(Dec. 21). It's
about a lusting,
ludicrous music
star, and John C.
Reilly prepped
for these moves
long ago, in
"Boogie Nights."
Francis Ford
Coppola (truly
Ford again?)
returns after a
decade's absence
with his "Youth
Without Youth"
(Dec. 21). Tim
Roth is an old
prof become young
again, with Bruno
Ganz on hand to
muscle the drama
that Coppola,
never demure, has
even compared in
emotive layering
to "Vertigo."
Siblings who must
care for an
elderly parent
find that life
can be very rude
about that, in
"The Savages"
(Dec. 21). Tamara
Jenkin's drama of
love and tested
loyalty employs
an A-list
triangle: Laura
Linney, Philip
Bosco, Philip
Seymour Hoffman.
Do we need the
titanic face-off
that is "Alien
Vs. Predator:
Requiem" (Dec.
25)? Damn
straight, for are
we not men? Even
women can be men
for this.
Tom
Hanks and Julia
Roberts like what
they see in Mike
Nichols'
Christmas Day
gift about
secretive
politics,
"Charlie Wilson's
War." "Charlie
Wilson's War"
(Dec. 25) is not
about Charlie
Wilson, the GM
head and Ike's
notorious
secretary of
defense, but
about the Texas
politician who
armed anti-Soviet
fighters in
Afghanistan. Talk
about
consequences! And
maybe Oscar bids
for director Mike
Nichols, Tom
Hanks, Julia
Roberts, Philip
Seymour Hoffman.
Painter and
filmer Julian
Schnabel's new
labor of artful
love is "The
Diving Bell and
the Butterfly"
(Dec. 25),
dramatizing the
French fashion
editor whose
paralysis left
him communicating
by blinks. It is
from a hit book,
and won Schnabel
the auteur prize
at Cannes this
summer.
"The
Great Debaters"
(Dec. 25) is
thankfully not
about the 2004
Bush-Kerry, uh,
debates. Denzel
Washington
directed himself
as an English
teacher coaching
debaters at a
black college in
1930s Texas. Some
of the verbal
wind comes from
Forest Whitaker.
"The Water Horse:
Legend of the
Deep" (Dec. 25)
is about how the
Loch Ness monster
grew from a
magical egg and
also a horse,
with help from a
Scottish laddie.
Emily Watson and
Ben Chaplin back
up Alex Etel and
many effects.
Top the year,
maybe, with the
new work of
risk-loving Paul
Thomas Anderson
("Boogie
Nights"). For
"There Will Be
Blood" (Dec. 26),
he transformed
part of an old
Upton Sinclair
novel to tell of
oil wildcatter
mania in 1920s
California (the
oil used was
chocolate).
Daniel Day-Lewis
rigged up for it.
"Cassandra's Dream"
(Dec. 28) should
come to us this
year, though
Woody Allen is a
slippery fella
for, as Variety
puts it, "upscale
arthouse auds."
He wrote and
directed, but
doesn't star in,
this London tale
of brothers (Ewan
McGregor, Colin
Farrell), a
murder and dark
laughs abetted by
Tom Wilkinson.
"The Red Balloon"
and "White Mane"
(Dec. 28) is the
happy return of
Albert
Lamorisse's 1950s
classics about a
Parisian boy and
his beloved
balloon, and
about gorgeous
wild horses.
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